Saturday, January 31, 2015

Adweek’s Instant Reviews of the 2015 Super Bowl Ads


It's that time again. Time to gorge on football and pricey commercials, not necessarily in that order.


We already know a lot about what to expect from the ads of Super Bowl XLIX. Comedy, tragedy, celebrities, puppies, big spectacles and a few quiet moments. But hopefully something we haven't seen yet will blow us away.


On Sunday night, Adweek will bring you real-time reviews of every single commercial immediately after it airs. Last year, we did letter grades. This year we're making it even simpler—thumbs up or thumbs down.


Follow us on Twitter at @Adweek and @AdFreak to see the instant reviews there first. Then, as the game progresses, you'll be able to see every commercial again—and Adweek's reviews of them all—at the links below. We'll be updating the galleries in real time, too, keeping up with the pace of the ads.


• FIRST QUARTER (link will go live after the quarter begins)

• SECOND QUARTER (link will go live after the quarter begins)

• THIRD QUARTER (link will go live after the quarter begins)

• FOURTH QUARTER (link will go live after the quarter begins)


Thanks for joining us. Enjoy the night!








from Adweek : Advertising & Branding http://ift.tt/15Xmhp6

via IFTTT








from WordPress http://ift.tt/15XoYa8

via IFTTT

Friday, January 30, 2015

Accounts in Review: Axe Goes Off Roster for Big Global Assignment


Unilever went outside the family in its selection of 72andSunny to refresh Axe's global strategic positioning. The agency hasn't worked for Unilever before but pitched ideas that Axe's marketing leaders liked and performed well in testing after the pitch. The marketer certainly had a lot of ideas chose from, with roster shops Bartle Bogle Hegarty, Lowe Ponce and R/GA all pitching as well as another outsider: 180.


In other news, as CarMax heads into the home stretch of its media search, Adweek has unearthed the finalists: OMD, Horizon Media and Vizeum. The prize is $60 million in annual media spending. The winner will take on business that previously was handled in-house.








from Adweek : Advertising & Branding http://ift.tt/1yOUwFX

via IFTTT








from WordPress http://ift.tt/1zh5jxV

via IFTTT

Discover Returns to the Super Bowl for the First Time Since Card’s 1986 Launch


Discover is back on the Super Bowl this year, for the first time since the credit card was launched in 1986 with its "Dawn of Discover" ad.


Within the credit and debit card category, Discover is the only marketer making an appearance in the Big Game this year, and the brand's senior vp of brand and acquisition, Julie Loeger, said it was a no-brainer.


"It was a really easy decision. We have big news for consumers and the Super Bowl is a fabulous platform through which to tell it to them," she said about the brand's current offering of free FICO credit scores to eligible card users, which is the focus of the spot.


The humorous commercial, which underscores how FICO data is a way for consumers to practice prudent fiscal management and avoid unpleasant surprises, shows a cardholder encountering his own unwelcome greeting when he opens his apartment to find an unexpected birthday gag. The spot, created as part of Discover's "We treat you like you'd treat you" campaign, is from the brand's lead creative shop, The Martin Agency.


During the game, Discover will also send emails to millions of eligible card users letting them know their FICO scores.


If the Super Bowl was an obvious choice for Discover, TV's biggest event has fallen out of favor with the brand's competitors in recent years. One industry observer speculated that category marketers now tend to be more targeted in their overall strategies and not interested in paying the high premium for the Big Game's huge viewership. (This year a 30-second Super Bowl spot has been going for $4.5 million.)



  • American Express has not run ads in the game for years, although last year it broadcast the "Intelligent Security" commercial post-game, which promoted online security as part of its "This is what Membership is, this is what Membership does" campaign from Ogilvy & Mather.

  • Visa, once an enthusiastic ad participant in the Super Bowl, hasn't been on it since 2005 when then-agency BBDO produced "Super Heroes," a spot where a group of caped heroes come to the rescue of a woman in distress only to realize she doesn't have a problem after her Visa Check Card is stolen because she's not liable for fraudulent purchases.

  • MasterCard's last Super Bowl spot, "Icons," which aired in 2005, was produced by McCann Erickson. The marketer shows a dinner party attended by the CPG world's most famous spokes-characters like Charlie Tuna, Count Chocula, Chef Boyardee, Pillsbury Doughboy and the Green Giant, among others.


For more news about the brands and stars preparing buzzworthy spots, be sure to check our up-to-the-minute Super Bowl Ad Tracker.








from Adweek : Advertising & Branding http://ift.tt/1BFCAlC

via IFTTT








from WordPress http://ift.tt/1BBJF4l

via IFTTT

Ogilvy Names an Insider to Fill a Top Creative Role


Corinna Falusi is rising to New York chief creative officer at Ogilvy & Mather, filling a vacancy left by last summer's exit of Calle Sjöenell.


Falusi, an executive creative director who has led creative on brands like Coca-Cola, Fanta, Ikea, Spotify and, most recently, Coke Zero, is the first major leadership change by Chris Garbutt, the CCO at Ogilvy & Mather East, who assumed his cross-disciplinary job a year ago. Garbutt previously had been CCO of Ogilvy France, where he played a pivotal role in creating global campaigns for Coca-Cola, and came to the U.S. to help raise the agency's creative profile here.


Falusi will report to Garbutt and partner closely with New York president Adam Tucker, according to the agency.


Falusi began her career in Europe, doing stints at Jung von Matt, Germany, and StawberryFrog, in Amsterdam before moving to that agency's New York office where she led integrated efforts on Frito-Lay brands. She also contributed to global campaigns for Heineken and New Balance.


Sjöenell spent more than two years at Ogilvy, joining from Bartle Bogle Hegarty. Last February, when Ogilvy appointed Garbutt, the agency insisted the role and influence of Sjöenell would not change. Six months later he said he was leaving.





from Adweek : Advertising & Branding http://ift.tt/1LrlCNr

via IFTTT








from WordPress http://ift.tt/1vfWwMO

via IFTTT

Ad of the Day: Reebok Wants You to Be a Better Human, Not Just a Better Athlete


Reebok and Venables Bell & Partners really work up a sweat for "Be More Human," an integrated global campaign that celebrates ordinary people who use sports and fitness in their quest for personal fulfillment and to serve the greater good.


In the lead spot, "Freak Show," folks wake in the wee hours or stay out long after dark, risking pain and injury, pushing themselves to the physical and emotional limit. Muscles pump and strain. Blisters rise. Bodies bob in the slimy shallows of Reebok's muddy Spartan Race competition. Perspiration flies everywhere.


"We do it to be better. Period," explains the voiceover on the commercial, which airs Sunday during NBC's Super Bowl pregame coverage. Such commitment, we're told, builds "better leaders. Better parents. Better, stronger, more determined humans, capable of anything."



Director A.G. Rojas employs muted hues and smooth pacing to set just the right mood, distancing these images of personal striving and sacrifice from, say, the glitz and glamour of professional sports. Rojas mixes in shots of firefighters and busy families to forge the all-important connection, linking the obsessive workouts and weekend-warrior contests with aspects of daily living. For these folks, the physical and mental investment in being "more human" is worth the price, and they wouldn't have it any other way.


"By adopting such a lifestyle, you find yourself in a community of people joined together by a common purpose—to be better versions of themselves," says Matt O'Toole, Reebok's brand president. "We're confident that when we push ourselves, we not only transform our bodies, we transform our entire lives."


Apart from "Freak Show," the campaign has many other elements for consumers to explore, including inspirational clips ("Dig Deep!" "Honor Your Body!"), a "Human Score" video (presenting a test "designed to distill our humanness to a numeric value"), and the "Be More Human Online Experience," a cross-channel platform loaded with tools, information and activities. Even Reebok's logo has undergone a transformation. Now, it's a delta, with sides representing the physical, mental and social change that can be achieved through fitness and healthy living.


Of course, the basic theme isn't new. Nike's "Find Your Greatness" campaign, celebrating everyday athletes and timed to the 2012 London Olympics, was a nod in the same direction. "Be More Human," however, takes the premise to epic heights—like Nike-Plus to the nth-degree—positioning Reebok as a de facto fitness and lifestyle partner for the masses.


Frankly, I feel torn. On the one hand, any push for growth and enlightenment is a good thing. So Reebok, a brand which has often stood for nothing, does itself a service by aiming high. That said, there's a holier-than-thou (or maybe it's a bully-on-the-playground) subtext, suggesting, perhaps, that those of us who'd rather not blow out our hammies traipsing through the muck are somehow less human than those who would.


Should any brand, no matter how well intentioned, attempt to gauge our humanity? Has Reebok overreached? I'm going to kick back on the sofa, remaining still, and give those questions some thought.








from Adweek : Advertising & Branding http://ift.tt/1wIJ79T

via IFTTT








from WordPress http://ift.tt/1zeB4aL

via IFTTT

McDonald’s Unveils Endearing Super Bowl Ad, and Finally Reveals Its Mystery Currency


With no shortage of new advertising coming from McDonald's (for better or worse), it can't come as much of a surprise that it's joined Super Bowl lineup, too.


Following a teaser earlier in the week that suggested customers would soon have a new way to pay at McDonald's, the chain has now unveiled the full spot from Leo Burnett—explaining the mystery currency.



Check it out below.


http://ift.tt/1HrqfYg


With this spin on the "I'm lovin' it" idea, McDonald's is putting its money where its mouth is. Instead of cash, it asks random patrons to pay by showing acts of love—calling their mom, hugging, doing a dance or praising their friends and family. The idea will extend to some real-world stores through Valentine's Day.


It's certainly a cute and wholesome idea. I hope they come to Adweek's local McDonald's on 4th Avenue and St. Mark's Place, where everyone could really use some more lovin'.


I also wonder how will this go over in Nevada, one of the few places where it's already legal to pay with lovin'.








from Adweek : Advertising & Branding http://ift.tt/1yL5oor

via IFTTT








from WordPress http://ift.tt/1yezG3T

via IFTTT

Priceline Knows You Can’t Keep William Shatner Away From Super Bowl Sunday


These are the voyages of Priceline's Negotiator. His 17-year mission: To seek out the best travel deals, and boldly pitch like no man has pitched before.


William Shatner returns Sunday during NBC's Super Bowl pregame coverage in his long-running role as spokesman for the online travel site. Kaley Cuoco-Sweeting also beams down for an appearance as the Negotiator's daughter in this 30-second spot from Butler, Shine, Stern and Partners. On game day, it won't leave you feeling deflated. (Or you can just enjoy it here and now. Whatever.)




After nearly two decades, the template is well established. Shats goofs around in his gloriously self-conscious style … and, well, what else do you need? In this one, he strolls through various hotel lobbies, changes hats a lot and puts some dude in a headlock. (The Gorn can commiserate.)


If any other actor indulged in such hackneyed horseplay, it'd be a travesty. But this is Shatner. As always, he serves up the ham with a succulent glaze.








from Adweek : Advertising & Branding http://ift.tt/1JTQCUJ

via IFTTT








from WordPress http://ift.tt/1CGWmih

via IFTTT