Tuesday, March 31, 2015

We Got an Exclusive Look at Shutterstock’s Empire State Building Headquarters


When you're an online stock photography company whose collection boasts more than 50 million iconic images and videos, there's really no excuse for a stodgy office. Not to disappoint, New York-based Shutterstock inhabits some cool digs. But the company took things up a notch by making its Empire State Building headquarters a functioning part of its brand identity, fashioning interiors accenting its core product—photography—with the input of its staff. "Shutterstock employees voted on everything from meeting room names to game room themes, and then designed them," said office manager Razia Meyer. Conference rooms on the 21st floor bear the names of architectural landmarks—the Taj Mahal, the Pantheon, the Statue of Liberty—while decor ranging from steampunk to Alice in Wonderland define other spaces. The whole place looks (dare we say it?) pretty as a picture.








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The 4A’s, Advertising Week Europe and More


From London to Austin, media and agency execs spoke on panels, hobnobbed with celebs and said goodbye to Madison Avenue’s favorite show.








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Suntory Whisky 3-D Printed the World’s Most Incredible Ice Cubes


Advertising craft doesn't get more delicate than this. Check out TBWA\Hakuhodo's 3-D printed ice cubes, created for Japan's Suntory Whisky.



The agency used what's called a CNC router to carve the designs, which ranged from the Statue of Liberty to the Sphinx to Batman and everything in between. (There even appears to be, perhaps presciently, a Cannes Lion in the mix.)


Miwako Fujiwara of TBWA\Hakuhodo said the CNC router was chilled at -7 degrees Celsius to keep the ice from melting. The agency used an app called Autodesk 123D to capture the 3-D images and prep them for printing. "A touch of chilled whiskey polishes the surface of the ice and gives a beautiful shine to the sculpture," Fujiwara added.



The campaign was launched in 2014 and just won a Branded Content & Entertainment Lotus trophy at the Asia Pacific Advertising Festival in Thailand.


Lots more images, along with credits, below.

























CREDITS

Client: Suntory


Campaign: "3D on the Rocks"


Agency: TBWA HAKUHODO+HAKUHODO

Executive Creative Director+Creative Director+Planner: Kazoo Sato

Copywriter +Planner: Takahiro Hosoda, Nobuhiro Arai

Art Director+Designer: Yo Kimura, Yuki Tokuno

Creative Technologist: Masashi Matsukura

Producer: Kaoru Otani

Assistant Producer: Fusae Yoshikawa

PR: Kayoko Asano, Miwako Fujiwara


Production: TOKYO+mount inc.+amana


Movie:

Director: Eiji Tanigawa(TOKYO)

Camera: Senzo Ueno(TOKYO)

Light: Masachio Nishida

Art: Midoriko Nemoto(TAIYO KIKAKU)

Ice: Motoharu Kato(Yamane Ice)

Sizzle: Noriko Saotome(GRAND)

Video Engenner: Satoshi Igarashi

Producer: Toshiyuki Takei(TOKYO)

Assistant Producer: Masayoshi Takayanagi(TOKYO)

Production Manager: Makoto Takahashi(TOKYO)

Production Manager Assistant: Rintaro Kozasa(TAIYO KIKAKU) 

OFFLINE Editor: Ryuichi Hasegawa(puzzle)

ONLINE Editor: Akira Nishibu(IMAGE STUDIO109)

Multi Audio: Yuta Sato(IMAGE STUDIO109)

Sound Effects: Norio Kobayashi(ONPa)


Music:

Executive Producer: Audioforce

Producer: DANIC

Composer: Steve Sidwell


Web:

Planner: Im Jeong-ho, Takeshiro Umetsu(mount inc.)

Planner +Art Director+Technical Director+Director: Hidekazu Hayashi(mount inc.)

Director: Hiroka Hasegawa, Hideki Yoshidatsu(mount inc.)

HTML coding: Hideki Yoshidatsu(mount inc.)

3DCG: Takeo Saito, Mika Nariya(FULVIS K.K.)

Production Manager: Ko Yoshida(mount inc.)


Graphic:

Photographer: Keisuke Minoda(acube)

Retoucher: Masahiko Furuta(RIZING)

Photo producer: Shinya Omi(amana)








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Why This Photo Was the Absolutely Perfect Way to Introduce the Deadpool Costume


On Friday, Ryan Reynolds tweeted out the first picture of the official Deadpool costume with him posing on a bear skin rug, à la Burt Reynolds, and the image is utterly brilliant and perfect in every way. Let me explain.



In 1972, Reynolds became the first male centerfold (some say ever) in Cosmopolitan. The shock wave that rippled through American culture, as women proudly taped the poster to their walls and admitted to the world that they had sexual desires, would spawn Playgirl magazine and change the conversation around sex in America.



Believe it or not, it was a total surprise to a great number of people to learn that women like to look at naked men, just like men like to look at naked women. Of course, it came with a certain amount of notoriety for Mr. Reynolds, and gave Cosmo its modern-day reputation as a bit of a smut magazine. It was so shocking that the next centerfold didn't appear until 1977, when Arnold graced the pages.


Beyond the shock, everyone at the time knew the image was somewhat of a joke. The bear rug? Clearly a joke—it was poking fun at masculine stereotypes and was chosen by Burt. The chest rug? Not a joke—people liked things hairy in the '70s. But the point is, the press at the time talked a lot about it being a tounge-in-cheek, tit-for-tat situation. Men had centerfolds to look at, and women deserved them, too. It was only fair. The significance of the image made the sexuality of it moot for many people. This was about equality. (The image has lived on in everything from DirecTV ads to agency copywriter profile pics.)


Referencing the image says a number of things, but first it's important to know Deadpool is a character who is self-aware. He actually seems to have knowledge of himself as a character in a comic book and knowledge of other characters in other universes. This is pretty unique in the comic-book world. In other words, Deadpool can act like he's talking directly to other characters, and those characters, who are not self-aware, can't really talk back.



That's why Ryan Reynolds, who plays the character, could tweet the official costume with the caption, "With great power comes great irresponsibility." That's a direct jab at "With great power comes great responsibility"—a Spider-Man quote often attributed to Uncle Ben (though it first appeared in the narration in an old Spider-Man comic).


So, Deadpool is clearly taking a direct jab at Spider-Man. Who else might he be jabbing at? Well, in the image, we see him laid out in place of a sexual revolutionary, though Deadpool is not showing any skin. That says he's jabbing at the male sex-symbol image of Captain America, Thor and Iron Man—whose lead male actors have all been celebrated for their sexual appeal. It's like Deadpool is saying, I'm going to blow your minds with a whole new kind of comic-book man—and the ladies will like me better. It also says, I'm not afraid to break some taboos, reference the real world, and hey, don't forget, I'm always a little cheeky. That's just me. And the ladies like a man with a sense of humor, a man who reads Cosmo.


Disney Marvel is smart not to underestimate its fans and recognize the power of taking the piss with the superhero genre. It made a lot of money with Guardians of the Galaxy, and it'll make more with Deadpool. Adult comic fans like to be talked to like adults. See, we all know how ridiculous our love of superheroes is, but we love them anyway. We love them smart. We love them topical. We love them allegorical.


And for those few who don't, those who need things at a simpler level, this first image is still brilliant because, "LOL, just l@@k at him on that stupid rug! Hilars!"





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